Every ordering sounds different. Pick your processors, arrange them however you want, and hear what happens. An FFT effects rack for transforming sounds into something entirely new.
Eight processors, up to eight slots, any order. Each one is effective alone. The unique results come from combining them.
Nine spectral curves, bell to flatten. An EQ that thinks in bins, not bands.
A noise gate for every frequency bin: whatever dips below the threshold goes dark.
Stretches sound through time. Blur a single hit into a wash that stays in key.
Phase-locked pitch shifting with the formants held in place. Clean at octaves.
Locks the spectrum to a harmonic grid. A tunable wall of resonance.
Strips a sound down to its few dominant harmonics. The melody stays; the texture vanishes.
Saturation applied inside the spectrum, oversampled so it never aliases.
Spectral unison. Detuned copies of the signal, refracted across frequency.
One button, three modes. Each produces a different kind of randomness, from barely-there adjustments to full chain rebuilds.
Just a dip. Short chains, gentle algorithms, conservative parameters. Something changed. You might need to A/B to hear it.
Dive in. Rebuilds from scratch with style. Algorithms chosen to work together, parameters pushed toward musical values. Reliably interesting.
The deep end. Any processor. Any parameter. Any setting. All bets are off.
Every processor, every preset, every knob — nothing locked. It simply goes quiet for a second and a half every thirty seconds, and the gaps land in your bounces too. One license key removes them, on two machines.
Activation touches the internet once. After that, SPECTRAfx runs offline forever.
Mac and Windows. Enter your email and the download link arrives in your inbox, so you can grab it on your computer any time.